Archive for February 18th, 2009

(grumplet) Coraline: She’s a Peach, She’s a Doll, She’s a Paaaal O’ Miiiiiiiine

February 18, 2009

Stop-motion animation has always sort of fascinated me. With traditional 2D drawn animation, I’m already impressed with how much focus, dedication and vision it takes to breathe life into a film’s world. Stuff like the Escher scene from The Thief and the Cobbler fill me with a sort of awe that I can’t easily describe. I don’t think I’ve ever been passionate about anything as much as some of these people must’ve been to work on something like that.

So when you get into something like stop-motion animation, it just boggles my mind. PHYSICALLY building everything that you’re going to be using, then meticulously moving it bit by bit as you capture each individual frame… cripes. Stuff that used to be easy in drawn animation, like making a character jump, becomes a mystery I’m not sure I want spoiled when done in stop-motion. It’s not a common or popular art form, however. Like any type of animation, or entertainment for that matter, if the animator gets bogged down in the technical aspects of it and stops paying attention to story and character, you just end up with a technically impressive sleep-aid. I rented a collection of short films by famous stop-motion animators the Brothers Quay that I was eager to watch, but soon found that they had no interest other than just creating atmospheric backdrops for inanimate objects to move around in. It was extremely boring.

Probably the best known stop-motion feature in recent memory was Tim Burton’s The Nightmare Before Christmas, a musical with a distinctively gothic, quirky aesthetic and loads of creativity in its execution. The director, Henry Selick, whom everyone seems to forget, recently released another stop-motion film based on Neil Gaiman’s storybook Coraline. Helllllllll yeah.

psst behind you
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