Archive for the ‘comedy’ Category

Comic Jumper – And I Thought My Jokes Were Bad

October 21, 2010

WHOOOOAAAOAAAOAAAAOAAAAAA

One of the best things about this current generation of video games is the ability to download games directly to a console via XBLA, PSN or Wii, and consequently this is the first real time independent games have gained mainstream recognition. Braid, Cave Story, VVVVVV, Charles Barkley Shut Up and Jam Gaiden, La Mulana — just a few of the good, sometimes brilliant, unique games we got thanks to convenient online connectivity and the larger indie scene as a result.

…And then there’s the Comic Jumper!

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Toy Story 3: Sobbing Man-Children

July 8, 2010

It’s difficult to remember what theatrical animation was like before Pixar. I remember that a Disney movie would come out every year or so and I’d beg my parents to take me and that’d be about it. I wasn’t stupid enough to go see a Don Bluth movie in the theater, at least. And pretty much all the animation was 2D! I remember when it was a giant fucking deal that Aladdin had 3D CG mixed in. I remember when people’s jaws were dropping during the ballroom scene in Beauty and the Beast. You’d occasionally see a 3D CG animated short on Nickelodeon (especially on Thanksgiving), but other than those, that was about it. Computer graphics were a delicacy, like caviar for the developing eyes of a cartoon-addled child. This was back when 3D viewing was still considered retro and gimmicky, too!

But then it was 1995. Disney was quickly losing their shit (Pocahontas? HUNCHBACK?) and no one was stepping up to take the doddering king’s place. Except for one studio who dared to look toward the future, and saw the potential in the shiny, plastic-looking aesthetic of computer animation. And Disney still had enough sense left in them to see the potential, as well, and released Pixar’s film Toy Story into theaters. And it was a success! The rare non-Disney animated feature to garner universal acclaim and commercial success! Combining heartfelt storytelling with sly, inventive humor, Pixar created a franchise.

A franchise that’s never quite sat well with me.

I mean, I liked Toy Story well enough. I could appreciate it for the way it pioneered a whole new medium and for the relative sophistication it had compared to other offerings. Even as a child, it seemed a bit sharper than the competition. But the movie’s aesthetic just didn’t age very well (see: any human in the film) and then there was John Lasseter’s unhealthy taste in Randy Newman. It just didn’t resonate with me the same way Aladdin or other films did. And seeing Toy Story 2 years later, when it was rereleased in 3D, I can see why people consider it a marked improvement. The added characters actually ADD to the proceedings rather than detract and it explored some interesting aspects of toy culture. But it still wasn’t yanking me like I wanted it to. Was it the indifference to stars Tom Hanks and Tim Allen?  The still-uncanny-valley human characters? The seemingly recycled bit where the gang has to deal with another fresh-out-of-the-box Buzz Lightyear? The world may never know.

So it was with some chagrin that I learned that Pixar was going back to the well again with Toy Story 3. I mean, I’m not surprised. Aside from Cars, it’s probably their most profitable property. It also has that nostalgic glimmer of being their first feature animation, and enough time has gone by that super-fans of the original might have kids of their own to take to a sequel. Canny Disney thinking at work, there. So after enduring months of breathless Toy Story fans spazzing out over the idea of a threequel and the outpouring of praise from the rest of the press, I decided to go see it to give it a fair shake. If anything, I probably wouldn’t hate it.

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The Princess and the Frog: JAMMIN’ WITH THE BIG BOYS~

December 24, 2009

Let’s face it, when people think of animation, they don’t think of Akira or obscure Czech stop-motion animators or even My Neighbor Totoro. They think Disney. And with good reason! Classic Disney animated features such as Fantasia, Snow White and the Seven Dwarfs and Sleeping Beauty are among the most technically accomplished and beloved animated movies ever made. Hell, there was even a bit of a renaissance in the late 80s and early 90s when Disney was spurting out movies like The Little Mermaid, Aladdin and Beauty and the Beast. (Can we include The Great Mouse Detective in that, too? {:3) But the momentum couldn’t last, as the features started to become pretentious and a drag (Pocahontas), adapted from sources that were increasingly incompatible with Disney’s values and audience (The Hunchback of Notre Dame) and eventually abandoning their musical roots (Atlantis: The Lost Empire). When the best you can come up with is Roseanne as a cow (the most modest creative leap I’ve ever seen), perhaps it is best to just tear it all down and start anew. And that’s exactly what Disney did, shutting down their fabled 2D animation studios in favor of computer-generated animation features. Unfortunately, it seems the stagnation and creative bankruptcy went deeper than just the medium of animation, because I’ve hardly heard any recommendations from people I trust for Chicken Little, Meet the Robinsons or Bolt.

Thank god that Disney had partnered up with Pixar, eventually buying them up. Pixar honcho John Lasseter was wisely put in charge of Disney’s animation studio and mandated a return to the stuff that Disney was known for and actually good at. And it would star a black characterWAIT WHAT

sick how they're promoting bestiality

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Ponyo: The Extra-Terrestrial

August 19, 2009

Do you know who Hayao Miyazaki is? If you’re reading this blog, you should. But just in case you wandered in here accidentally while trying to google lolcats, Here’s the skinny: Hayao Miyazaki is basically the Steven Spielberg of animation in Japan. He makes animated feature films with his production company, Studio Ghibli, and is considered a master at what he does. He’s responsible for such anime classics as Nausicaa, Princess Mononoke and the Oscar-winner Spirited Away, and Japan basically considers him a national treasure.

And I sometimes find it difficult to stand the guy.

Don’t get your feathers ruffled just yet. I adore most of his movies, such as Spirited Away, Howl’s Moving Castle, Porco Rosso, The Castle of Cagliostro and Kiki’s Delivery Service. It’s the other half I have trouble stomaching. I think Nausicaa is a pretty standard fantasy adventure starring one of the most insufferably optimistic heroines I’ve ever seen.  The character Nausicaa pisses sunshine and farts rainbows. I cant stand it! Castle in the Sky is basically the blueprint for every Japanese RPG ever made, so by the time I saw it, there wasn’t much new for me to glean from its picked-over bones. I don’t really enjoy Princess Mononoke‘s setting or the fact that the ending doesn’t do any of the preceding 119 minutes any justice. In fact, it’s a huge problem with Miyazaki’s movies in general. They don’t end; they just stop. You’re lucky if you have even a few minutes of falling action after the climax. And then there’s probably my least favorite: My Neighbor Totoro. It’s a movie aimed at very young children, so I probably wasn’t the target audience when I saw it, but it’s still an aimless creature that tries to get by on cuteness and whimsy in lieu of having story or even the barest shred of conflict. I’m sure if I was a toddler I’d love it. I can’t ever say that Miyazaki’s movies are outright crap. They’re always beautifully, painstakingly animated. But I do occasionally have problems with what Miyazaki chooses to do with all his abundance of talent and resources.

And recently, Miyazaki’s latest yarn, the child-oriented Ponyo, washed up on our shores. Was this a hit or a miss?

y helo thar

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(500) Days of Summer: (500) Reasons This Is Baloney

August 7, 2009

I knew it. Exactly what I was afraid would happen has happened.

America, we’re under attack by indie hipster romantic comedies.

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(grumplet) Harry Potter and the Half-Blood Prince: SNOGGING

July 30, 2009

Anyone who talks to me about the Harry Potter movies or read my rant in the comments section for Magus’ grumplet about Order of the Phoenix knows that I had a venomous dislike for David Yates, the man who had been handed the keys to the Harry Potter kingdom. Here was a man with absolutely no experience directing a theatrical feature film, let alone a huge, effects-laden installment of one of the most lucrative franchises in the world. While that alone was not enough to damn him in my eyes, the dull, lifeless adaptation of Harry Potter and the Order of the Phoenix was. Not only had it left out certain crucial details that would become important in future installments, but it also seemed to have no regard for the heart of the book, Harry’s inner turmoil, and instead focused on soapbox political allegories and rah-rah student rebellion. While all of this was present and indeed a necessary part of the original work, it seemed like David Yates missed the point. It’s true that the absence of the screenwriter of the previous four films, Steve Clowes, couldn’t have helped things, but the amateurish direction by Yates missed the mark. And with the usual 150-minute runtime cut down to a brisk, 120 minutes, it seemed like Warner Bros. had found its perfect stooge for cranking out another Harry Potter installment on time and on budget under the studio’s thumb.

Inbetween the release of Order of the Phoenix and Half-Blood Prince, a couple things happened. Steve Clowes returned from his sabbatical to adapt the sixth installment, Yates was tapped by Warner Bros. to direct all following Harry Potter installments, beating out other hopefuls like Alfonso Cuarón, and the decision was made to cleave Harry Potter and the Deathly Hallows in two so that proper respect could be paid to sending the series off (and, of course, to allow WB to milk their cash cow to the bitter end). My heart understandably sank. Not only was Cuarón, the director of my favorite installment of Harry Potter, not returning, but that Yates hack was getting the glory of finishing up the whole thing. C’est la vie, eh? It was with a heavy heart and extremely low expectations that I entered Harry Potter and the Half-Blood Prince, almost daring Yates to do his worst.

You must be very careful while entering a giant's anus, Harry...

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(grumplet) Up: Up, and Straight Up My… Heart~

July 18, 2009

Sorry this has taken so long to make it up here on Grump Factory, but the theater, she is an expensive beast! And between taking summer school on the weekdays (BAH!) and rising ticket prices (it’s $10 here!) the local AMC 30 has a difficult time coaxing me out. Why, it would take a miracle for me to carve out the time it would take on a weekday to get a decent ticket price to go see a movie. Well, a miracle or a Pixar movie.

SO THIS ONE TIME IN WEASEL SCOUT CAMP

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